Vividly depicted by dynamic camera moves across clay
figurines and remarkable archive reels that were interestingly camouflaged within the scenes, the film does well to keep the audience
stimulated. The support of some abundantly sourced sound effects and music
helped those clay lifeless people become the real people of our story, as they
fell victim to the atrocities of the Khmer Rouge. We feel among them, we feel
as though the narrator is speaking to us, as he does not preach, nor teach,
just tells his story as remembers it.
The only images I have ever seen of Cambodia are post 1992
and therefore, the archive reels of a once bustling city and of dancers, were
reels I had not expected to come from Cambodia. The nature of the film, told
through the modelling of these personified clay figures, managed to turn off my
reviewing senses and allow me simply to watch, to take in, to interpret and to
learn.
The film was not one of fact, it did not provide an in-depth
explanation of the period or regime, but it did through one man's story,
encourage me to research it for myself. I found that:
- The Khmer Rouge forced over 2 million people from their city homes, to travel to the countryside and work in the same horrendous conditions as our narrator.
- Since the end to the regime, over 20,000 mass graves have been found, and estimates range between 2-3million dead as a result.
- It's thought that an additional 650,000 Cambodians died of starvation within the next year.
- Although the Khmer Rouge were thrown out in 1979, they existed through until 1996 when they finally dissolved.
- What perhaps is salt in the wound, is that Pol Pot, the man in charge of running such an oppressive regime, died in 1998, having never been tried for what he'd done.
I read once that a successful documentary is when an
audience does not return with comments of how something was shown, or how it
could have been shown better, but when they talk about the issue of the film.
If that definition is correct, then 'The Missing Picture' remaining, is for me
to agree. A brilliantly unique depiction of human suffering and resilience. One
I feel I would need to watch again and again, to truly appreciate the every
detail of our artist's recreation.
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